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LEAGUE OF EXTRAORDINARY GENTLEMEN

The League of Extraordinary Gentlemen on the outset sounded
like something I ought to enjoy: it's based on a comic book about
a team of mismatched literary characters trying to save the world
from a criminal mastermind. It's a neat concept, but the concept
is essentially where the neatness ends.
The year is 1899. The world is changing as a new century looms.
A villain called the Phantom ("How operatic!" says Sean Connery - I should have walked out right there) has assembled a private
army armed with weapons of the future such as tanks, metal body
armor, and machine guns in a bid to instigate a World War and then
take over the world. The British have concocted a counter-offensive.
The mysterious M (Richard Roxburgh, the villainous Duke from Moulin
Rouge) lures the aging adventurer Allan Quatermain (Sean Connery)
out of Africa to lead a team of 'extraordinary gentlemen.' Their
mission is to stop the Phantom from sinking Venice and save the
world leaders assembled there to negotiate a peace (which wouldn't
happen anyway since history records two World Wars within 45 years,
but I digress.
Joining Quatermain in the League are an (not the, whose movie rights
are held elsewhere) Invisible Man (Tony Curran), Dr. Henry Jekyll
(Jason Flemyng) and his monstrous alter ego Mr. Hyde, vampire Mina
Harker (Peta Wilson) of Dracula fame, the immortal Dorian Grey (Stuart
Townsend), young American agent Tom Sawyer (Shane West), and the
science pirate Captain Nemo (Naseeruddin Shah), who offers up his
high-tech submarine the Nautilus as the League's mobile base
of operations. That is a huge cast of famous and relatively obscure
literary characters. In order to keep the summer movie popcorn crowd
of teenagers from getting confused, all the characters are boiled
down to their basic ideas (although they don't necessarily remain
intact from their literary origins.) Quatermain is a tortured old
adventurer mourning the deaths of his loved ones. Tom Sawyer is
a wet-behind-the-ears gung-ho American (although how Sawyer could
remain so youthful when LXG takes place decades after Mark
Twain's novels remains a mystery.) The Invisible Man is a thief
and is suspect at all times, as is the mysterious Nemo for being
an Indian and a pirate. Jekyll is a weakling struggling against
succumbing to Hyde permanently. Mina Harker somehow became lovers
with Dorian Grey after defeating Dracula and the death of her husband
Jonathan Harker.
After a few scenes where the League assembles and has a quickie
showdown with the Phantom in Dorian Grey's London flat, interminable
stretches take place on board the Nautilus as the Leaguers
interact with each other and push forward their little subplots.
Quatermain and Sawyer do some mentor/pupil bonding and we learn
Quatermain lost his son in a previous adventure. The rampaging Hyde
causes all kinds of commotion on board. Mina and Dorian, the two
'immortals,' get it on. Then we discover there is a saboteur on
board stealing the blood of the Leaguers as well as Jekyll's formula
to transform into Hyde. Everyone suspects the Invisible Man, who
has disappeared from the Nautilus and from these scenes entirely.
Dorian Grey meanwhile behaves in an extremely suspicious manner
throughout. Guess who the culprit actually is, because the League
somehow entirely fails to do so.
LXG's centerpiece is a ridiculous action sequence
set in Venice that defies logic and comprehension. The Nautilus,
which is depicted as being the size of an aircraft carrier, somehow
sails idly along the canals of Venice, knocking gondolas aside,
before docking and releasing a 1950's style automobile driven by
Sawyer and Quatermain that hurtles along the streets of Venice at
100mph while hordes of the Phantom's men shoot at it with machine
guns. I've never been to Venice but even I know there aren't any
streets there, nor could there have been in 1899 for an automobile
to race along on. I didn't understand where the car was going or
why, but when the car did get there, Nemo fired a missle from the
Nautilus that upon detonation somehow prevented dozens of
explosive charges submerged beneath Venice from sinking the city
entirely.
Oh, and Dorian Grey is the traitor! He worked for the Phantom all
along!
All this leads us to a hidden castle in the icy plains of Mongolia
where the Phantom (who also is not who he seemed to be) manufactures
his weapons of mass destruction to unleash upon the world. He also
intends to use the blood and formula stolen by Dorian Grey to create
super soldiers possessing all the powers of the League. The League
penetrates the castle and puts an end to the Phantom's plans. Everyone's
little arc is completed as Quatermain confronts the Phantom and
the demons of his past, Jekyll makes peace with Hyde, the Invisible
Man is redeemed as a hero, Sawyer makes Quatermain proud, Mina and
Dorian Grey prove that one of them is in fact not immortal after
all, and there is a surprising death among the Leaguers that sets
up a sequel, as well as that character's resurrection. Which Leaguer
dies? To that I ask, which of the actors is in his 70's?
Connery remains a charismatic presence, and the filmmakers
used fast cut editing to make the old man move and fight faster
than he logically could (even 40 years ago as James Bond, Connery
still wasn't all that fast.) However, Connery seems too old to credibly
get into and out of the scrapes he does in LXG. There was
a moment in the ice fields of Mongolia where it looked like a half-frozen
Quatermain was indeed going to die. Imagine the surprise when he
did die later on. And yet, the screenplay left an out, a possibility
that Connery could indeed return if Great Britain or the sequel
needs the services of Allan Quatermain once more. (Despite Quatermain
passing the torch to Tom Sawyer, Shane West did not come off as
ready to lead this ensemble cast in a second LXG outing.)
Up until the story and action stopped making sense
entirely, I was somewhat enjoying The League of Extraordinary
Gentlemen. The wink, wink humor and constant anachronisms throughout
the picture were annoying, especially Connery and West in the car
in Venice:
West: "Take the wheel!"
Connery: "I don't know how to drive this bloody
thing!"
(Aha, but you do know that you 'drive' a car. I see.)
There were several underwhelming fistfights and firefights,
as if the filmmakers were unsure how to pay off the ideas they set
in motion on the outset so they shoved a lot of action in there
hoping audiences would be satisfied.
But who is this movie for? It stands to reason that many moviegoers
who would watch LXG would do so because they are knowledgeable
about the literary characters involved and were curious as to how
they would be treated. All of the characters were underwritten save
Connery's Quatermain, and after their introductions, the movie quickly
degenerated into run-of-the-mill action picture. It's a lot of the
same gothic-style action moviegoers have seen a million times before.
There's nothing extraordinary about the story or action here.
As Connery famously says in the trailer and movie: "I'm waiting
to be impressed."
So am I, Mr. Connery. So am I.
- John Orquiola (reviewed 08/03)
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