Find Me At Screen Rant

Showing posts with label 2018. Show all posts
Showing posts with label 2018. Show all posts

Friday, June 21, 2019

Dark Phoenix at Screen Rant

DARK PHOENIX AT SCREEN RANT

Dark Phoenix is the final X-Men film of the Fox era. The X-Men saga has lasted for 19 years and I was there since day one. In the long buildup to Dark Phoenix's release, I've been fortunate to write a lot of Screen Rant Features about the film and the X-Men franchise as a whole. Here they all are collected below:















Friday, March 8, 2019

Captain Marvel

CAPTAIN MARVEL

** SPOILERS *

Anna Boden and Ryan Fleck's Captain Marvel is fine. But, while watching it, I was reminded of the scene in Captain America: The Winter Soldier (the best Marvel Studios movie - fight me) when Steve Rogers (Chris Evans) walked through the Captain America exhibit at the Smithsonian. He looked at the events of his own life, sanitized, enhanced for maximum heroic impact, but he frowned in displeasure. This is my experience of watching Captain Marvel,  the 21st Marvel Studios film and the first with a female lead superhero. That would be Carol Danvers (Brie Larson), or Vers as she's known to the Kree, and she soars higher, further, faster than any Marvel hero before or after. But in her movie, Captain Marvel is already living her own Smithsonian exhibit, sanitized and enhanced for maximum heroic impact while leaving the interesting stuff - the human stuff - in the dust.

Who are you, Vers? I'm not the only one who wants to know. The most telling exchange in the whole movie is when Nicholas J. Fury (Samuel L. Jackson), Agent of S.H.I.E.L.D., or Fury as he's known to his mom, asked Vers what she wants. Vers answers she wants to stop the Skrulls from finding the Lightspeed Engine invented by her mentor Dr. Wendy Lawson (Annette Bening) - who is secretly a Kree crusader named Mar-Vell. "No," Fury reiterates, "What do you want?" Vers doesn't say. Because Vers doesn't know what she wants - as a person, as a living breathing human being - and neither does the movie. Vers is Brie Larson "in a rubber suit", smirking, acting smug, cracking wise, being cool, blasting Skrulls and Kree with photon blasts from her hands, and that's great. But is she a person? What are her hopes? Her dreams? Her fears? Her foibles? Who are you, Carol? When Captain Marvel is over, I was still waiting to hear the answers.

Vers is essentially perfect. Oh, her best friend and fellow fighter jock Maria Rambeau (Lashana Lynch) says she was a pain in the ass growing up, but we don't really see it. Like Vers, we see flashes of her life growing up - her dad was angry and abusive, she was mocked in basic training - and it's like a museum exhibit. But how does Vers feel about any of it? Can't say. What Vers does think for most of the movie is that she is a Kree warrior-hero, possessed of incredible superpowers her supervisor Yon-Rogg (Jude Law) claims the Kree gave her. They also gave her an inhibitor chip on her neck that holds her true potential back, but she doesn't seem to mind it. Vers is part of Starforce, an elite Kree unit that hunts down the shapeshifting Skrulls they are at war with. And Vers' only real problem is amnesia; most of the movie is Vers back on Earth discovering she's actually a human named Carol Danvers. 

But here's the thing: Vers starts out the movie awesome; she's a superpowered badass a cut above the rest of the Kree. Then on Earth, Vers discovers who she was in her previous life before she "died" 6 years prior, and she essentially finds out she was awesome before she had powers. Then, in the third act, Vers gets rid of the inhibitor chip and levels up: she becomes 1000x even more powerful and more awesome. And if that isn't the most boring movie arc you've ever heard of, then you and Vers must be besties. Much of the fun of Wonder Woman was seeing immortal demigoddess Diana Prince (Gal Gadot) as a fish-out-of-water in 1918 London and Belgium. Wonder Woman is also a perfect being, but Diana was also a charmingly naive soul who learns something about herself and about humanity in the end, and loses the first man she ever loved, Steve Trevor (Chris Pine). Captain Marvel does its own fish-out-of-water story - Vers exploring 1995 Los Angeles - except this fish is just fine on land because she's actually from the land! Her reaction to the people, places, styles, and music of 1995 is no reaction.

What sets Marvel apart from their competitors is Marvel creates imperfect heroes who struggle with their flaws and try to rise above them (see, Stark, Tony, Quill, Peter, Odinson, Thor, Parker, Peter and so on). With Captain Marvel, Marvel breaks their own mold and creates a superhero who's all powers and no problems she can't energy blast away. The Kree and the Skrulls were already no match for her before she leveled up. By the end, Vers is juggling Kree nuclear missiles and swatting their starships away with ease to save planet C-53. (A neat thing in Captain Marvel is all the planets are described by their Kree designations and "Earth" is never said.) Meanwhile, Vers doesn't express any love for anyone, any hopes, dreams, fears, or doubts. She just goes about her business being a warrior-hero.

In Captain Marvel, Vers is never in peril - ever. Even when she's captured and mind probed by the Skrulls, she easily escapes and overpowers the shapeshifters. On C-53, no Agents of S.H.I.E.L.D. (including Clark Gregg as Phil Coulson in a fun walk on), Skrull, or even the Starforce can touch her in a fight - her final battle with her former Kree buddies is even played for "laughs" with No Doubt's "Just a Girl" accompanying Vers comedically beating down the Starforce with ease. Her final confrontation with Yon-Rogg - he was the real villain all along, what a shock! - is also a joke where she quickly energy blasts him like he's nothing. Anyone looking for a story about Captain Marvel pushed to her limits, plunged into genuine danger, facing insurmountable odds, making a mistake and trying to rectify it, and somehow finding the hero inside her and rising above it all best look on some other planet. 

As a prequel, Captain Marvel does its Marvel admin and introduces the Terreract/Space Stone and a younger Ronan the Accuser (Lee Pace) in a walk-on. It has Goose the Cat, which is really an ill-defined alien called a Flerkin (which is supposed to be Carol's cat in the comics but Fury falls for it and Carol barely has interest to even look in the cat's direction). But Captain Marvel also does the same kind of stuff Solo: A Star Wars Story was rightfully mocked for: not only do we learn how Fury lost his left eye but did we really need to know how Fury decided to name his future superhero team the "Avengers" and that they were named for Carol Danvers' callsign? That's the equivalent of how Han got the last name Solo. Captain Marvel also contains an interesting twist that the Skrulls are not a malevolent race bent on universal conquest but a scattered group of refugees being exterminated by the Kree and seeking an asylum planet of their own. This explains where Captain Marvel has been since 1995: she was "a couple of galaxies" away helping move her cockney-accented Skrull pals, including Talos (Ben Mendelsohn), to another planet far from the Kree.

What is a Skrull? Captain Marvel defines the Skrulls as an alien race able to "sim" (i.e. replicate) another life form right down to its DNA. It's a perfect simulation, but it's still not the real thing. It gives me no pleasure whatsoever to report that the real Skrull all along in Captain Marvel is the movie itself, which has attractive and talented movie stars, action, humor, special effects - everything that simulates a movie except for the vital things a movie needs to have: dramatic tension, stakes, a main character with vulnerability and impossible odds to overcome, humanity, and a beating heart. Captain Marvel is pure, calculated Marvel product going through all of the proven formulaic motions but with no blood (neither red nor blue) in its veins.

Now, it's undoubtably empowering for girls and women to see Captain Marvel at maximum swagger assert her overwhelming superpowers and become untouchable, and that's wonderful and important. But I sincerely hope as they feel properly empowered, the Carol Corps also someday learns what a movie actually is and what a movie is supposed to do, and that it's okay for Marvel's most powerful superheroine to have flaws and be human - that's what makes her and her movie interesting. Maybe Thanos will bring out the hero in Captain Marvel and show us that she's more than her colorful suit and her shiny superpowers. We know Captain Marvel can kick ass - maybe, as she leads the MCU into the future, she can find the time to be a person too.






Wednesday, February 6, 2019

Fighting With My Family

FIGHTING WITH MY FAMILY

** SPOILERS **

"My sister just became the first 18-year-old English girl ever signed by the WWE!" Zak Bevis (Jack Lowden) proudly announces to his family and friends as they cheer on their chosen daughter Saraya-Jade Bevis (Florence Pugh). Of course, Saraya would go on to worldwide fame (and also heartbreak) as WWE Champion, reality TV star, and global superstar Paige. But on this night in 2011, Paige was just a teenager from Norwich, England about to take her first steps into the larger world of World Wrestling Entertainment (WWE). It won't be easy. This is both Paige's story and also, perhaps even more touching, the story of her older brother Zak, the one who got left behind.

Stephen Merchant's witty, insightful, and engaging Fighting With My Family, based upon the true story and the British documentary The Wrestlers: Fighting With My Family, is about Saraya's journey and struggles on the road to WWE stardom but it's also about her unusual family of pro-wrestlers. Her father "Rowdy" Ricky Knight (Nick Frost) and mother "Sweet" Saraya (Lena Headey) fell in love with each other and with pro-wrestling; they are the owner/promoters of World Association Wrestling (WAW) based in Norwich. Her half-brother Roy (James Burrows) was incarcerated after he lashed out when WWE rejected him and her older brother Zak Zodiac dreams of WWE stardom himself. However, Saraya was gifted in ways the rest of the family are not: raven-haired, porcelain-skinned, wildly charismatic, and a natural in the ring, she was the spark of the family and everyone knew it.

Pugh plays Saraya as a bit more of a misfit outsider who may not want the WWE dream as much as Zak, but only Saraya gets picked at a WWE tryout by Hutch Morgan (Vince Vaughn). WWE's talent scout and trainer, Morgan is an amalgam of several of the real Paige's mentors, including the late legend Dusty Rhodes. In 2011, Saraya ships off to sun-kissed and glamorous (compared to Norwich) Orlando, Florida where she trains at NXT, WWE's developmental arm. As literally a lifelong pro wrestler who comes from a wrestling family, Saraya rankles the other female hopefuls, a collection of swimsuit catalog models who are trying to become WWE Divas for the fame and fortune. (The Divas hopefuls' wrestling gear are inspired by those worn by former WWE Divas Eve Torres and Summer Rae and the original NXT cheerleader costume of Alexa Bliss.) In a neat twist, it's Saraya who ends up bullying the girls and alienating them; she had to find a way to become a WWE Diva herself (which included a very poor decision to briefly dye her hair platinum blonde and give herself a spray tan).

Today, WWE is in the midst of a Women's Revolution led by Ronda Rousey, Becky Lynch, Sasha Banks, Bayley, and Charlotte Flair where the women put on epic matches and are main eventing per-per-views, but Saraya landed in WWE during the years when the company was still promoting their Divas brand and training models to become wrestlers mainly to provide sex appeal for their shows. Merchant and Pugh also present a Saraya who's "weak in body and mind", according to Hutch, who tells her WWE shouldn't have picked her and she should go back home and be with her family. Merchant excises and simplifies many aspects of Paige's NXT career. In real life, Paige (billed as "The Anti-Diva") had wrestled in the all-female SHIMMER promotion alongside her mother and she was, in fact, a polished performer who naturally possesses a unique sex appeal. She was a wildly popular NXT Women's Champion and an obvious star destined to go to the WWE main roster. But Pugh's version of Paige (who named herself after the Rose McGowan character in Charmed), is even more of an outlier, lonelier, and far more unsure of herself. The film offers glimpses of the secret self-doubt WWE fans never saw from Paige in the ring.

Meanwhile, back in Norwich, Zak's story is a fascinating one: as the male star of the family, he not only main events the WAW shows (often held in front of a couple of dozen paying fans) but he also runs a school where he trains at-risk teenagers to become wrestlers. Zak even trains a blind teenage boy and develops a system to turn him into a wrestler. Saddled with a girlfriend and a newborn baby, Zak spirals out of control and is understandably furious when his sister looks like she's ready to throw away the dream that was denied him. As compelling as Pugh is portraying Paige's struggles at NXT, Lowden's Zak provides the most heart-wrenching moments as he is forced to reconcile that he lacks the "IT factor" his sister has and that his reality will not change. Meanwhile, Ricky and Sweet Saraya are amusingly opportunists looking to cash in on their baby daughter's status as a WWE Superstar. 

Finally, Paige rededicates herself to NXT and becomes the performer she was meant to be, along with befriending and leading her fellow Diva hopefuls to become better wrestlers themselves. Her efforts don't go unnoticed by Hutch or her guardian angel, Dwayne "The Rock" Johnson (who cameos as himself and, as a producer, spearheaded this movie getting made after seeing the documentary about the Knight family). At 2014's WrestleMania 30 in New Orleans, The Rock breaks the news to Paige personally: she's getting called up to Monday Night RAW and debuting against WWE Divas Champion AJ Lee (Thea Trinidad, doing a spot-on impersonation of the real April "AJ Lee" Mendez). There are also cameos by WWE's The Miz, Big Show, Sheamus, and John Cena.

Millions of WWE fans know how this story goes: Paige defeats AJ in an impromptu match and wins the WWE Divas Championship, lighting the fuse on the Women's Revolution that would follow. It's a feel-good ending to this Rocky story of a young girl from Norwich who made it to the pinnacle of WWE. Fighting With My Family is a solid wrestling movie about WWE (that shockingly features no McMahons or Triple H, the guiding force of NXT!) and an even better comedy-drama about a family unlike any other. Most importantly, Fighting With My Family does right by Paige, her motley clan, and the WWE fans. The film shows what it really does take to be a WWE Superstar: talent, drive, and that extra spark to turn any arena into "my house" - something Paige has in spades.

Saturday, December 29, 2018

Screen Rant Best of 2018

SCREEN RANT BEST OF 2018

2018 was my second year as a Features writer for Screen Rant and this was the year I finally felt like I came into my own, especially in the latter half. Writing about Marvel, DC, and all the nerdy things I like - and being paid for it - is a privilege I'm very lucky to have. And while Marvel, DC, and Star Wars pay the bills, this year I was fortunate to diversify my subject matter and write about a lot of the other movies and television shows that interest me, which was particularly satisfying and something I plan to do even more of in 2019.

I wrote 255 Features in 2018 for a total of 471 since I began in January 2017 - for a guy who liked to review a few movies a month tops on this very blog, this is an output that staggers and surprises me. But I'm very proud of my growing body of work and I think I've improved immensely as a writer. I thank my very British editors Alex Leadbeater and Hannah Shaw-Williams for honing my skills the way Superman can crush a piece of coal and find a diamond inside. Or at least a very shiny cubic zirconia. 

Below is my selection of the Screen Rant Features I'm proudest of for a variety of reasons; mainly because I feel like with these, I brought the goods to a fun smorgasbord of nerdy subjects. I would call this my favorite and best work in 2018. Thanks to everyone who has read my Features and I hope they were worth the click. Onward to 2019 and year three - the best is yet to come!













 













 













 
















 




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