Find Me At Screen Rant

Sunday, July 14, 2019

Crawl

CRAWL

** SPOILERS **

Apex Predator All Day

"I never thought it'd end like this," Kaya Scodelario tells her father Barry Pepper in Crawl. No doubt. How could she ever think she'd die in a watery basement eaten by alligators during a Category 5 hurricane? That's a very specific way to die but in Alexandre Aja's Crawl, that's exactly the life or death scenario Scodelario and Pepper find themselves in. Crawl is a perfect storm in more ways than one: beyond just the hurricane, which has caused floods and broken levees in South Florida, it's beyond unfortunate Pepper's house is right next to an alligator farm. Going up against one gator would be bad enough but there are multiple gators in Crawl, each hungry for Scodelario and Pepper's limbs - and they definitely get their licks in.

In Crawl, Scoledario plays a swimmer for the University of Georgia, Gainsville swim team. She's estranged from her father but goes looking for him when a hurricane hits and she finds him unconscious and badly wounded in the filthy crawl spaces of his basement. Unfortunately, Pepper's not alone: there are two gators down there too, with more on the way. That's it, that's the movie - Scodelario and Pepper have to somehow survive as the storm gets worse and worse, flooding the town and turning it into a gator party. Within this simple premise, a father and daughter reconnect and go to extremes to survive. They don't necessarily make it out with all of their limbs intact. They also have a dog, a wonderful pup named Sugar that the filmmakers wisely don't use as gator feed. Mostly a two-person and one doggo show, Crawl has a few extra characters who the gators make mincemeat out of. Meanwhile, Scoledario is in nearly every scene and she's a champ whether she has a medal for swimming or not.

Unlike sharks, the basic factoids of which have seeped into the collective unconsciousness ever since Jaws and the annual Shark Weeks and Sharknados, Crawl takes advantage of the fact that most of us don't really know a lot about alligators (I sure don't). Besides the obvious basics like avoiding the jaws, the ins-and-outs of fighting gators are a mystery, as Scoledario finds out when she dodges a gator's snapping mouth but gets whacked in the face with its tail. We wonder whether a gator attacks because its visual acuity is based on movement, like a T-Rex. And we're not exactly sure if a champion swimmer like Scoledario can swim faster than a gator - but it's fun finding out. The gators act like movie monsters when they need to and come out of the water for jump scares, but they also stay in the shadows when necessary to effectively build tension. 

Crawl starts off a bit like a crawl but then ramps up nicely. Pepper and Scoledario both get bitten quite a bit and are badly injured throughout the movie; it's probably not as easy to shake off multiple gator bites as they both make it seem and, in reality, they likely should both have bled out and died from their nasty wounds. There's one moment where a gator clamps onto Scoledario's arm and takes her on a death roll but at that late point in the film, Scoledario has been bitten so many times that she just takes it in stride as she tries to reach a flare to electricute the gator with. 

Overall, considering how Pepper, Scoledario, and the other actors and crew must have spent weeks in a wet, cold, filthy set, everyone comes out of Crawl looking like champs for their total commitment. Especially Scoledario, who holds the movie together with determination and gusto; she even has to swim through rancid water with her eyes wide open which should earn her an award of some sort just for being a great sport. Crawl is as good a father-daughter v alligators movie as you could ask for. And Crawl could even be a segment from Batman V Superman; when Scoledario and Pepper are on top of their house waiting for help, if they'd drawn a giant S shield on the roof, Superman probably would have shown up hovering over them.

Sunday, July 7, 2019

Aladdin

ALADDIN

** SPOILERS **

Hold Your Breath, It Gets Better

"The monkey knows the way," Aladdin (Mena Massoud) tells Princess Jasmine (Naomi Scott) as they both escape the palace guards after them, and anyone who has such loyal friends as Abu the monkey and the Magic Carpet is well worth knowing. Director Guy Ritchie's dazzling Aladdin brings the classic Disney cartoon and the splendorous fictional Arabian world of Agrabah to life in all its vivid, colorful glory. This is a nearly miraculous production full of endearing charm, genuine wit, and eye-popping beauty, starting with its two leads and their meet-cute: he's an orphaned thief who's dismissed as "riff-raff" and a "street rat" while she's an intelligent and headstrong princess forcibly sheltered in the palace since the death of her mother. They're both stunningly attractive, clearly into each other, and they obviously belong together. "You should be Sultan," Aladdin later assures her and it's clear that when all is said and done, Jasmine will not just rule Agrabah but Aladdin's heart as well - and he'll thoroughly enjoy being ruled by her for the rest of his days.

We all know the story: the malevolent Grand Vizier Jafar (Marwan Kenzari) wants to be Sultan but he needs the power of the Genie (Will Smith), who lives in a magic oil lamp hidden in the Cave of Wonders (voiced by Frank Welker, the voice of Megatron), to make his evil wish come true. Jafar kidnaps Aladdin, the "diamond in the rough" and the only person allowed to enter the cave (although Abu goes with him so the magical cave is clearly okay with a monkey tagging along). Inside the Cave of Wonders are treasures and riches beyond imagination, unless you're Scrooge McDuck or Smaug, in which case, you're familiar with piles of gold coins you can swim in. But there's also the lamp, which Aladdin retrieves, which means he's now the master of the Genie and the Three Wishes he can grant.

Following in the late Robin Williams' footsteps as the Genie is a daunting task but Will Smith rises to the challenge with a performance that's funny, razor-sharp, and unexpectedly emotionally moving when it counts: he's both exasperated mentor and supportively loyal friend (reluctantly at first) to Aladdin as he turns the street rat into the fictional (fresh) Prince Ali of the even more fictional kingdom of Ababwa - complete with Smith leading a musical number accompanying Prince Ali's arrival in Agrabah that brings the house down. But there's a key difference with this Genie: he's all man too and he has the hots for Dalia (Nasim Pedrad), Jasmine's eligible handmaiden who is quite interested right back. But the relationship between Aladdin and the Genie is sharply-written and poignant, especially when Aladdin ultimately delivers on his promise to free the Genie so he can live a normal life.

With a clever screenplay by Ritchie and John August that adapts the classic cartoon but also adds a few interesting new touches - mainly modernizing Jasmine with a fierce independent streak, progressive worldview, and a new, ultimate destiny - Aladdin astoundingly hits all of the high points of its beloved magic carpet ride. The costumes, sets, and production design are spectacular and,  thankfully, Scott is a powerful vocalist who belts out her part of "A Whole New World" and has an additional new song all her own. Meanwhile, Massoud is a charming Aladdin while Abu and the Magic Carpet are each remarkably loyal and endearing sidekicks. Ritchie's Agrabah is a sight to behold: a wonderous, immersive kingdom that should be its own Disney theme park. Although Kemzari's version of Jafar is a different flavor of sinister from the cartoon that takes a little getting used to and perhaps Gilbert Gottfried not voicing Iago the parrot is a bit of a letdown as well, even then, the movie just clicks and delivers genuine pleasures. Happily, Aladdin is a gorgeous fantasy and a new fantastic point of view of one of Disney's best fairy tales.

Tuesday, July 2, 2019

Spider-Man: Far From Home

SPIDER-MAN: FAR FROM HOME

** SPOILERS **

In Spider-Man: Far From Home, Peter Parker (Tom Holland) goes to Europe in pursuit of "Peter Tingles". He gets them, in more ways than one. Director Jon Watts' sprawling and entertaining follow-up to Spider-Man: Homecoming is also the 23rd Marvel Studios film, the final film of MCU Phase 3, and a sequel to both Avengers: Infinity War and Avengers: Endgame (whew). That's a lot of weight to put on Spider-Man's slender shoulders, Spider-Strength or no. As such, before Peter and his school chums from Midtown School of Science and Technology, including his trusty man in the chair Ned (Jacob Batalon) and MJ (Zendaya), the girl he has the Peter Tingles for, get to go to Europe, there's some MCU admin to get out of the way. Far From Home handles this irreverently, looking at the events of Thanos' mass genocide from the teenagers' point of view: the Decimation is now called 'The Blip', the dead Avengers (Iron Man, Captain America, Black Widow, and Vision) are memorialized with a video set to Whitney Houston's "I Will Always Love You", and everyone wants to know if Spider-Man is going to take the late Tony Stark's place as the next Iron Man and the leader of the Avengers (if the Avengers are still even a thing). 

Of course, Peter Parker can't just go on vacation, especially when the world is threatened by Elementals, other-dimensional monsters made of Earth, Air, Fire, and Water. Not long after Peter and his friends land in Venice, the city is attacked by the Water Elemental and Peter encounters Quentin Beck (Jake Gyllenhaal), a new superhero who no one seems to notice is wearing the most ridiculous costume ever, complete with a fishbowl helmet. The Italian news dubs Beck 'Mysterio' and he takes a shine to the moniker (a lot more than Peter does to Spider-Man's European name: Night Monkey). Soon, Peter is recruited by Nick Fury (Samuel L. Jackson) to help Mysterio save the world from the Elementals. Oh, Beck is from another dimension and the Elementals destroyed his world and now they've come for Earth. If that story sounds like horse shit, congratulations, you've got [insert your first name here] Tingles! Thing is, Peter doesn't want to join in on this world-saving crusade; even though it's been 8 months since he's been to space and fought two Thanoses from two different time periods, all he wants to do is go to Paris and tell MJ he has the Peter Tingles for her.

Meanwhile, even though Tony Stark (Robert Downey Jr.) is dead, Iron Man lives on in his tech and the late Avenger bequeathed his protege Peter a new toy: his favorite sunglasses, which contain E.D.I.T.H. (Even Dead I'm The Hero), an A.I. that gives Peter access to Stark's entire network of weaponry, including killer drones he can launch from Stark satellite. Peter doesn't know what to do with E.D.I.T.H. (besides accidentally use it to kill the kid who also likes MJ) and he dumbheadedly hands the tech over to Beck, playing right into his hands. For you see, Mysterio is not who he appears to be! Beck is actually a disguntled former Stark employee heading up a cadre of disenfranchised fired Stark employees and they all hold a grudge against Tony. Mysterio wanted E.D.I.T.H. to manufacture an Avengers-level threat so he can swoop in and become Earth's new Iron Man. Beck explains this in the movie's best scene: a hilarious speech of pure exposition where Gyllenhaal chews the scenery as he gleefully explains his master plan even though everyone in the room already knows it. But once Peter realizes he's been bamboozled, he throws all hope of his vacation aside to stop Mysterio.

Spider-Man: Far From Home doubles down on everything that worked in Spider-Man: Homecoming. There are more scenes with Peter and his endearing gang of buds, plus their goofball teachers, and there's just heaping amounts more of everything, to the movie's detriment. Even before they're revealed as illusions, the Elementals are letdowns as villains since, as giant water and fire monsters, they're not enemies Spider-Man can fight with his tried-and-true weapons of webs and punching. While Far From Home zips along through gorgeous European locales like Prague, Berlin, the Netherlands, and London, it feels overstuffed when the movie could have been leaner and meaner. Whereas Spider-Man received a new Stark Tech suit in Homecoming, now he has a half-dozen costumes. And while he was mostly operating alone in Homecoming, now he's got tons of help, from MJ, Ned, Nick Fury, Maria Hill (Cobie Smulders), and Happy Hogan (Jon Favreau), who happens to be dating Peter's Aunt May (Marisa Tomei). And while it seems there's no problem Spider-Man can't solve with enough Stark Tech, Peter does Spider-Man-up in Far From Home and the film addresses his Spider-Sense, making him earn one of his classic superpowers so it ends up being the difference-maker against Mysterio's incredible illusions. All the while, Holland easily plays an immensely likable Peter Parker, Gyllenhall is a dynamite Mysterio (I wish there was even more of him in the film), and the whole gang give Americans a good name all over Europe.

There are also big surprises in Spider-Man: Far From Home and the ones with the most ramifications for the future of Spidey and the MCU come at the end. Far From Home's final minutes finally bring Spider-Man to the familiar concrete jungles of Manhattan so that Tom Holland's webhead now swings across the same cityscape that his predecessors Tobey Maguire and Andrew Garfield did. (Only this time, MJ hates swinging along with Spidey, unlike her predecessor Kirsten Dunst.) After four films (counting the Avengers movies) of the MCU's Spider-Man avoiding the tropes of the Maguire and Garfield films, Spider-Man truly comes home to New York City - and he's hit with a double shock: the return of J.K. Simmons as (a bald) J. Jonah Jameson, who then reveals doctored footage left by Mysterio exposing Spider-Man's secret identity to the world. In the words of May in Homecoming's final seconds, "What the fu--?!?" And this is before the big Skrull reveal that seems to set up Captain Marvel 2. So despite Spider-Man's NYC homecoming in Far From Home, he's now in unfamiliar territory with the whole world knowing Peter Parker is Spider-Man. You might say it's a Brand New Day for poor Peter Parker.

Followers